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Brooklynite spitting flames on the current state of his first love, Hip-Hop from his stoop in Bedstuy. He may be from NY, but his love for the culture is first and foremost, so don't expect your typical east-coast bias, on this block. Malik is simply here to kick knowledge and wisdom for your understanding.

FiyaStarter RATING = Fiyaballs


Album Review

Mobb Deep - Blood Money
P.ainful and P.athetic

by: Malik Sinsear, for Entertainment

Mobb Deep signing with G-Unit was a blessing and a curse in many ways for the diminutive duo from the most infamous housing projects on the eastern seaboard. On one hand they got rich which is always a good thing…well, for them anyway. But, for their fans, you had them with a label that could potentially provide Hav and P with their best chance of putting out their best music since Hell on Earth. On the other hand, the label they signed to was headed by one “Billion dollar budget” Jackson which led you to worry about whether the real H.N.I.C. would have the former and his partner headed to the Candy Shop instead of the chop shop.

Blood Money marks the seventh full length release from Mobb Deep and their first since
2004 with the vastly underrated disc, Amerikaz Nightmare. Firstly, to fans of the Mobb, if you were worried about them going pop after their signing with Boo-Boo, you can rest easy because this is not the soft batch cookie album you feared it might be. Absent are Joe, Avant and the other 15 R&B features you’d usually find on a G-Unit record, replaced by hard beats from The Alchemist, Sha Money XL and of course Havoc. In fact I’ll go on record as declaring Blood Money as the grimiest album released on G-Unit to date. Add in Hav’s ever improving rhymes and three hot verses by Banks (Stole Something), Yayo (Click Click) and 50 (Creep) and you’ve got a great album, right? Well, not when you’re depending on Prodigy to bring it home for you, you don’t. How far has this guy fallen? Save his verse on the best and most creative song on the record, the 90’s Bay area sounding Capitol P, Capitol H, his effort is poor.

At one point, Kool G Rap hailed P as one of the top lyricists in the game. Listening to him rhymes nowadays wouldn’t impress an illiterate ass kid whose mom just copped them a Sylvan learning system package. He’s so awful, it’s funny at times, which is ultimately sad. Personally, I blame all this on Jay-Z. And I’m not even talking about that ballerina-P Summer Jam screen picture either, I’m talking about the whole “swagger rap” thing Jay seems to have popularized and P has adopted over the past couple years.

Real quick; if you don’t quite understand, swagger rap is when the MC takes braggadocios rhymes a step further and doesn’t even respect the beat enough to flow over it, they instead try to make the beat adjust to their rhymes. T.I. and Lil’ Wayne have recently achieved this on occasion, but most fail. So like I said, Prodigy has been trying it for a while now and hasn’t even come close. His version is more “thugged out spoken word” than swag-rap anyhow and he just needs to stop. “Watch is very bling bling, niggas wanna swing swing, very much so…” You’ve got to hear it to believe it, folks.

The beats on BM, while hard are boring at times. Mobb is usually good for about three or four adrenaline pumpin’ songs, but you’ll be hard pressed to find that many here. Yayo tries his best to keep his standout guest spot streak intact on Click Click, but the production should have been checked for duds before fired and Daydreamin’ could put the real Boo-Boo and his O.G., Yogi to sleep on the first day of September without a picnic basket present. Put Em In Their Place tries, but it really sucks. How it got passed off as a lead single, I’ll never know.

To be honest with you, I could have let the mundane production go a bit and gave this album a higher Fiya rating if Prodigy would have just stepped it up. Somebody please tell him he can’t get away with 50’s persona or simplistic rhymes because he’s not 50. “And just leave lil mama, this P lil mama, I ain’t them, I’m me lil mama,” he confidently states on It’s Alright featuring Na----errr Mary J. Blige. (excuse me, I was thinking about this song I heard three years ago called Tick Tock). Anywho, P sucks and he should be ashamed of his damn self for thinking it was alright to say something as foul as “We ran trains on the girls in my family dance school, we was beastin.”  Total ‘Scust.

.


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